The New English

Songs, photographs and stories from the 1980s

The New English were a London indie pop band of the late 1980s, built around Johnny Rasheed and Shareef C. Sources: A10, A12, A14

This archive gathers their tickets, posters, fanzine pages and publicity sheets, with the album and videos that later appeared online.

Every item has its own page.

The New English on an outdoor stage at the Wimbledon Festival in July 1987: two players at the front and a drummer behind, in front of a white marquee.
The New English on stage at the Wimbledon Festival, July 1987. Full scan
Cream Rock Garden admission card for The New English at 'Breakthrough I', Monday 7 DEC, 7.30pm to 3am, £3.
Rock Garden admission card, Monday 7 December 1987.

At a glance

Origin
Fulham, south-west London. Sources: A08, A14
Genre
Indie pop, moving towards soul pop. Sources: A12, A10
Active
1986 to 1988, with a reunion show in Bonn in 1990. Sources: A05, A07, B01
Line-up
Johnny Rasheed (bass, vocals), Shareef C (guitar), Joz (vocals), Sara (drums). Sources: A14, A09, A12, B01
Recordings
London 1987, an eleven-track digital album released on 2 January 2019, a 2001 CDr of the same title, and a track on the 2015 compilation 3am Radio England. Sources: B03, B05, B14, B29
Later projects
Johnny Rasheed’s solo CD Inspiration (1993), The Internationalists and Those Meddling Kids. Sources: B04, B02
Not to be confused with
The New English Rock Ensemble, the 2005 album New English on Popster, or The New English Weekly. Sources: B22, B23

The story of The New English

The New English were a London indie pop band built around Johnny Rasheed and Shareef C. The two grew up in Fulham in the late 1970s and early 1980s and first met at the age of eight, in a “jumpers for goals” football match in Normand Park. Their songs told true stories of teenage love in the schools, parks and pubs of south-west London. Sources: A08

The partnership began as a duo called Years of Backwater in December 1983. They played one gig at The Swan in Kingston upon Thames in July 1984 and stopped after trouble with their drum and bass machines. In May 1985 Johnny and Shareef regrouped with Dave Beech on bass and a Korg drum machine as The Fallen Idols, who recorded several demo tapes but never played live. The name The New English followed in May 1986. Sources: B02

Dave left soon after the change of name, and Johnny took over the bass. Joz came in as lead vocalist and left after three performances, and Johnny went back to singing. Demos continued with a Sequential Tom drum machine, which one interview prints as “Sequestial”. Sara joined on drums in April 1987 and left that September, after which the band played live with a drum machine again. Sources: B01, A09, A14, A12

Their reference points came from the independent scene of the time, the world of the NME’s C86 cassette: Felt, Morrissey, the Redskins, the Woodentops, the Smiths and the Housemartins. “Kept me alive!” Shareef said of that scene, and Johnny said of Morrissey and Marr: “What those two blokes wrote in 1984 saved my life!” One interview page carried the slogan “Harder than the 4Skins, More melodic than The Beatles!” In a Reading preview, Johnny said the band wanted to lose the “Indie Pop” tag and move towards soul pop. Sources: A14, A12, A10, B32

A fanzine writer counted an audience of 25 at the Tunnel Club in Greenwich on a very wet Tuesday, 28 October 1986, and judged The New English the better band on the bill. At Le Beat Route on 23 February 1987, a review called them “the liveliest band out on the night”, recorded that this was their tenth gig since October, and ended with a question: “When are they coming up north I ask ?” Sources: A05, A09

The band supported the Brilliant Corners and Frank Chickens, the latter at the Sir George Robey in Finsbury Park on 25 July 1987, and played the Wimbledon Festival that month. For Network East they recorded This Evening and Get Ready, and This Evening was broadcast. Their publicity offered bookers a tape and a video tape of the band. Tickets and posters add the ordinary details of a working band: £3 at the Rock Garden, a 10.30pm stage time at Zeeta’s in Putney, £2.50 before ten o’clock in Reading. Sources: A12, A08, B01, A03, A04, A06

Despite interest from independent labels, the band could not secure a recording contract and split in March 1988. They reunited for a single show with S.P.G. at the Bazooka in Bonn on 17 February 1990, playing a stripped-back Get Ready with guitar, bass and vocals only. The songs reappeared much later, when London 1987 reached digital platforms on 2 January 2019. Sources: B02, A07, B03

Colour photograph of three young people sitting close together, one in dark glasses, one in a red cardigan.
Colour photograph of the band in May 1986, the month the name The New English was adopted. See the whole page
Grainy black and white photograph of three men standing by a doorway and a brick wall, cropped from a fanzine page.
Three people by a doorway, on a fanzine page printed in or after late March 1987. The caption on the page names only Joz, the one in the middle, and says Joz is no longer with them. The other two are not named. See the whole page

the liveliest band out on the night

Fanzine review, 23 February 1987. See the whole page
Red-printed card from The World at Zeeta’s with The New English, Thurs 11th Feb and 10.30pm handwritten in.
Red-printed Zeeta’s club card with The New English, Thurs 11th Feb 1988 and 10.30pm written in by hand. See the whole page

The musicians

The two core musicians of The New English were Johnny Rasheed (bass, vocals) and Shareef C (guitar), with Joz and Sara in the line-up at different times and Dave Beech in the earlier project. Sources: A14, A12, A09, B01

Johnny Rasheed

Bass and vocals

Johnny Rasheed sang and played bass, and also played acoustic guitar. Johnny took over the bass after Dave Beech left and returned to lead vocals after Joz. A fanzine interview lists Johnny on bass and vocals, and a Reading preview uses “singer/bassist” and quotes Johnny on the band’s direction. The kit was an Ovation acoustic guitar, a Cimar copy of a Precision bass and a Carlsboro amplifier. In 1993 came a solo CD, Inspiration. Sources: A14, A10, B01, B04

Shareef C

Guitar

Shareef C played guitar, and both live reviews in this archive single out that playing: “brilliant riffs” at the Tunnel Club, where the name is typed Sharef, and “brilliant guitaring” at Le Beat Route. In a fanzine interview Shareef talks about the independent scene and an admiration for Lawrence of Felt and for Morrissey. The kit was a Fender Jazz, later swapped for an Eccleshall copy of a Gibson ES-335, played through a Peavey amplifier. Sources: A05, A09, A14, B01

Joz

Vocals, early line-up

Joz came in as lead vocalist after Dave Beech left and sang at three performances. A photograph on a fanzine page from 1987 shows Joz in the middle, with a caption saying Joz was no longer with the band. Sources: A09, B01

Sara

Drums

Sara joined on drums in April 1987 and left that September. The name appears on a band publicity sheet beside a photograph of three people, under the booking details, and a drummer is on stage in the Wimbledon Festival photograph of July 1987. Sources: A12, A17, B01

Earlier line-up and predecessor project

Dave Beech

Earlier project

Dave Beech played bass in The Fallen Idols, the project before The New English, and left shortly after the change of name in May 1986. Sources: B01

Colour photograph of three young people in a hallway, one in a red polo shirt, one blond in a doorway behind.
Colour photograph of the band in a hallway, October 1986. See the whole page
Black and white photograph of three people posed outdoors on a low brick wall under trees, cropped from a band publicity sheet, with handwritten names beside it.
Detail of a band publicity sheet: the trio photograph and handwritten names. See the whole page
Grainy black and white photograph of two people in dark jackets standing against a solid black background, cropped from a fanzine page.
Two people beside an interview with the band in The Mighty Utterance! The page prints no caption, so they are not identified here. See the whole page
Small high-contrast photograph of two people, the nearer one in a polo shirt, cut to a slanted edge on a fanzine page.
A small photograph on the first page of a fanzine interview with the band. It has no caption, and the people in it are not identified. See the whole page

Live history

The New English played clubs, colleges and festivals in London, Reading and beyond between 1986 and 1988, with a later show in Bonn. Sources: A05, A09, A06, A07, B01

Photocopied stage photograph of two musicians playing electric guitars, with part of a drum kit at the far left, cropped from a handwritten poster.
Stage photograph pasted onto the Bazooka poster. The poster gives it no caption, so the musicians and the occasion are not identified. See the whole page

Le Beat Route, London

Le Beat Route was a Soho nightclub at 16 Greek Street, opened in November 1980, and the review heading spells it La Beatroute. The reviewer called The New English “the liveliest band out on the night” and the venue “a rather plush expensive night club”, noted wrong opening chords on “Sixteen” and recorded that this was their tenth gig since October. Sources: A09, B26, B33

See the whole page: Le Beat Route review, 23 February 1987Gig page: Le Beat Route, London, 23 February 1987

View the extended gig chronology

Extended gig chronology

DateVenuePlaceDocumentsSource
Tunnel Club: Gig pageGreenwichSources: A05
The TramshedWoolwichSources: B01
The HarlequinPeckhamSources: B01
Mad HattersSouthportSources: B01
Le Beat Route: Gig pageLondonSources: A09
Paradise Club: Gig pageReadingSources: A06, B01
Le Beat RouteLondonSources: B01
Wimbledon Festival: Gig pageWimbledonSources: A17, A12, B01
Sir George Robey (supporting Frank Chickens): Gig pageFinsbury ParkSources: A12, B01
DingwallsCamdenSources: B01
The Old White HorseBrixtonSources: B01
Edge Hill CollegeOrmskirkSources: B01
Sipson Community HallSipsonSources: B01
St David’s Hall: Gig pageReadingSources: A10, B01
Rock Garden: Gig pageLondonSources: A03, B01, A18
Polytechnic of Central LondonLondonSources: B01
The World at Zeeta’s: Gig pagePutneySources: A04, B01
Bazooka: Gig pageBonnSources: A07, B02, Y07

Photographs, posters and documents

The New English archive holds eighteen items: colour photographs of the band, fanzine reviews and interviews, tickets, a band pass, posters, publicity sheets and two items for Johnny Rasheed’s solo appearances. Each item has its own page.

Browse the full archive

Reviews and interviews

The press in this archive comes from fanzines and local listings sheets: live reviews, a review of a two-song demo and interviews about music and life in London. Sources: A05, A09, A10, A11, A13, A14

Who wrote about the band

The Tunnel Club and Le Beat Route pages both carry a sign-off from someone called Nik and thank the same contributors. Pages from What’s Happening? and The Mighty Utterance! in Reading share one contact block, so one Reading publisher covered the band three times. Sources: A05, A09, A10, A11, A13

A two-song demo

A What’s Happening? review discusses a tape of Get Ready and This Evening. The writer hears “two sprightly pop songs”, compares the vocals with Lloyd Cole and Paul Weller, and notes that the brass sounds synthesised. It is a response to two recordings, not a general history of the group. Sources: A13

Two interview pages

One fanzine page lists the line-up and runs through short topics, from drum machines and the independent scene to Morrissey and Marr. A page from The Mighty Utterance! has Johnny on London, teenage love and the band’s name: “We ARE the new english! - The newest blood in this country... like the Normans in 1066!” On London, the advice was “I’d always recommend Whitechapel over Westminster, and East Ham over Ealing!” Sources: A14, A11

Johnny on soul pop

In a Reading preview, Johnny says the band wanted to lose the “Indie Pop” label and compete with Rick Astley rather than Voice of the Beehive or All About Eve: “We’re trying to move more towards soul pop.” The piece quotes an earlier line calling the band “The only hope inspiring phoenix to rise from the ashes of Indie Pop”, which Johnny says Shareef did not like, and Johnny adds: “London is the worst place in the world for gigs.” It previews a show at St David’s Hall on Friday 27 November 1987. Sources: A10

Network East

Network East was a BBC Two programme for Britain’s Asian communities, launched on 25 July 1987 and made at Pebble Mill in Birmingham. The band’s appearance that year was its first on national television. The line-up recorded This Evening and Get Ready for the programme, and This Evening was broadcast. A video of This Evening from the television studio is on YouTube. Sources: B24, B34, A08, A12, B01, Y06

Recordings

London 1987

The New English

Digital release 2 January 2019

London 1987 is an eleven-track album of about 35 minutes, released digitally on 2 January 2019 with a RipItUp Records credit. It is on Apple Music, Spotify, Amazon Music, Deezer and Tidal. Sources: B03, B05, B21, B18, B19

Get Ready and This Evening, the two songs reviewed on a demo tape in What’s Happening?, are tracks 1 and 2 of London 1987. Sources: A13, B05

Get Ready and This Evening were recorded at Triple X Studios, North Acton, in 1987, and You Make My Day Shine at Cymbelline, Reading, in April 1988. The two Live in Bonn tracks come from the band’s 1990 concert at the Bazooka. Sources: Y02, Y03, Y04, Y07

A limited CDr called London 1987 appeared on Jackfruit Music (JRJF004) in 2001, with fifteen tracks: Secretly I Wonder, This English Day, Sixteen, The First Time, Let’s Take a Walk, Secretly I Wonder (Oxshott Mix), Tufnell Park, I Rather Be Alone, This Evening, Get Ready, Kim, (You Make My) Day Shine, Zoot Suit, Get Ready (Live) and The Day After Tomorrow. Sixteen is the song named in the Le Beat Route review. Sources: B14, A09

Videos

Eight videos of The New English and The Internationalists are on YouTube. Each one starts when you press play. Sources: Y01, Y02, Y03, Y04, Y05, Y06, Y07, Y08

  • The New English - The Day After Tomorrow

    Uploaded

    Description: Artist: The New English / Song: The Day After Tomorrow (this version recorded 1998) / Playing at Wimbledon Festival July 1987 / © 1984 RipItUp records

    Sources: Y01

  • The New English - This Evening

    Uploaded

    Description: © 1987 (P) 1987 RipItUp Records / Recorded at Triple X, North Acton, London 1987

    Sources: Y02

  • The New English - You Make My Day Shine

    Uploaded

    Description: © 1988 ℗ 1988 The New English / Recorded at Cymbelline, Reading England April 1988 / RipItUp Records

    Sources: Y03

  • The New English - Get Ready!

    Uploaded

    Description: Recorded at Triple X Studios, North Acton, London October 1987 / Ⓒ 1987 Ⓟ 1987 RipItUp Records

    Sources: Y04

  • The New English - You Make My Day Shine (99Mix)

    Uploaded

    Description: Recorded New Rising Studios, Essex / New Years Day 1999 / Ⓒ 1987 Ⓟ 1999 RipItUp Records

    Sources: Y05

  • The New English "This Evening"

    Uploaded

    Description: This Evening, performed in a television studio for the BBC Two programme Network East.

    Sources: Y06

  • The New English - Get Ready! (Live)

    Uploaded

    Description: Recorded Live concert at Bazooka, Bonn, Germany March 1990 / Ⓒ 1987 Ⓟ 1987 RipItUp Records

    Sources: Y07

Later projects and solo work

After the main period of the band, Johnny Rasheed released a solo CD, Inspiration (1993), and played in two further groups, The Internationalists and Those Meddling Kids. The New English also reunited for a show with S.P.G. at the Bazooka in Bonn on Saturday 17 February 1990, a venue that was hosting bands in the city that year. Sources: B04, B02, A07, Y07, B35

Inspiration

Johnny Rasheed

CD 1993 Jackfruit Music

Inspiration is a solo CD by Johnny Rasheed on Jackfruit Music (JRJF001), recorded at Blockhouse Studios, Stratford, London, in April 1993 and released that May. Jezz Wright produced it and played drums and keyboards, and Guy Davis mastered it at SRT, Cambridge. Johnny sang and played acoustic guitar, with Shareef C on acoustic and electric guitars, Martin Lynch on bass, Simon Tarry of The Rileys on electric guitar, Robb Johnson on electric guitar, dobro, banjo and harmonica, George Whitfield of VOXPOP and Pressgang on accordion, Aubrey Braithewaite on piano and Gemma Townley of Blueboy and Sarah Records on cello. The founder of Twee.net later picked it out among five obscure indiepop releases worth hearing. A Reading poster and a Saturday running order record Johnny’s solo appearances. Sources: B04, B15, B31, A01, A02

  1. Close To Me
  2. Living in Surrey
  3. Summer Strangers
  4. Hope
  5. May
  6. Smile In The End
  7. Cressida
  8. George Harrison

The Internationalists

The Internationalists were an acoustic duo of Johnny and Shareef, formed in December 1991, who performed without bass or drums. They appeared on BBC Radio Berkshire in February 1992, were active through 1993 and gave their final live performance at Bracknell Festival in July 1997. A sixteen-minute video of that set is on YouTube. Sources: B02, Y08

Those Meddling Kids

Between 1991 and 1993, Johnny played bass in Those Meddling Kids, who performed throughout south-east England. Sources: B02